He has entertained American troops during WWII, prime time television audiences in the 1980s and students at Glastonbury. During a career that has spanned more than 70 years, successive generations have grown up with Sir Bruce at the heart of British television. The length of Sir Bruce’s career is well documented, less well-known is the story behind his rise to prominence in the 1940s and 50s.
Sir Bruce had no contacts and very little in the way of funding when he started performing dance routines in theatres around the country. To practice his acts he would have to tear up his parent’s carpets so he could use their floorboards and the pay from his first professional act didn’t even cover his transport home. He played second fiddle to major stage acts for 16 years before he hit the “big time” at the London Palladium in 1958. By the mid-Sixties Sir Bruce was the best paid entertainer on British television.
Over the last 15 years, Peter Bazalgette has brought some of the best known television formats to our screens. He founded his own production company, Bazal, in the early 90s, making the most of the experience he built up at the BBC as a producer.
He is responsible for the creation of some of the most important entertainment shows in recent television history, including Ready Steady Cook, Changing Rooms and Ground Force.
Crucially, these programmes were not only popular in the UK, but many were sold abroad, in as many as 30 countries. Peter is perhaps best known as the man that brought Big Brother to the UK, starting a ten year long craze that dominated the news as much as it dominated Channel 4’s evening schedule.
The popularity of the series has been a major factor in the success of Endemol, the international production company that absorbed Bazal in the early 90s. During his time as the Chair of Endemol UK and Creative Director of the Endemol Group, the value of the firm trebled to €3.2 billion.
When Amanda took up the Chief Executive role at BAFTA in 2000, the Academy was suffering from lack of interest and lack of funds. Although it was still hosting the annual awards ceremonies that it is best known for, the organisation had gradually lost touch with both the public and much of its own membership. Amanda is widely recognised as having turned BAFTA around. Since the start of her tenure, the prospects for the Academy have increased dramatically. Moving the Film Awards ceremony from March to before the Oscars required a huge amount of work but it now means that the awards are seen as part of the New Year awards season. The charitable functions of the organisation have also increased, going from around four events a month excluding the awards ceremonies to around 250 events a year, most of which are accessible to the public.
The son of two immigrants, his mother was from Belgium and his father was from Calcutta, David Abraham grew up in rural Lincolnshire and Essex and went on to study History at Magdalen College, Oxford. Amazingly, David’s application to study television at postgraduate level was turned down by Middlesex Polytechnic and he started a career in advertising after a friend suggested the industry might also provide him with the opportunity to be involved in creative work.
David co-founded the groundbreaking advertising agency, St. Luke’s, which continues to work with major clients today. He moved out of advertising in 2001, becoming General Manager for Discovery in Europe and later joined UKTV as its Chief Executive. He is well known for having initiated the successful rebranding of the UKTV channels that saw the creation of the Dave, Alibi and Yesterday TV brands. David describes his career as having taken place in a series of roughly five to seven year periods, giving him time to learn and make a positive impact in each role. His advice is to stay in a role for long enough to have made a measurable achievement before moving onto the next challenge. More…