Interview with Sir Bruce Forsyth CBE

Read the full interview here.

He has entertained American troops during WWII, prime time television audiences in the 1980s and students at Glastonbury. During a career that has spanned more than 70 years, successive generations have grown up with Sir Bruce at the heart of British television. The length of Sir Bruce’s career is well documented, less well-known is the story behind his rise to prominence in the 1940s and 50s.

Sir Bruce had no contacts and very little in the way of funding when he started performing dance routines in theatres around the country. To practice his acts he would have to tear up his parent’s carpets so he could use their floorboards and the pay from his first professional act didn’t even cover his transport home. He played second fiddle to major stage acts for 16 years before he hit the “big time” at the London Palladium in 1958. By the mid-Sixties Sir Bruce was the best paid entertainer on British television.

Sir Bruce Forsyth. Photo Courtesy: Getty/Huffington Post
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Interview with Sir Peter Bazalgette

Read the full interview here.

Over the last 15 years, Peter Bazalgette has brought some of the best known television formats to our screens. He founded his own production company, Bazal, in the early 90s, making the most of the experience he built up at the BBC as a producer.

He is responsible for the creation of some of the most important entertainment shows in recent television history, including Ready Steady Cook, Changing Rooms and Ground Force.

Crucially, these programmes were not only popular in the UK, but many were sold abroad, in as many as 30 countries. Peter is perhaps best known as the man that brought Big Brother to the UK, starting a ten year long craze that dominated the news as much as it dominated Channel 4’s evening schedule.

The popularity of the series has been a major factor in the success of Endemol, the international production company that absorbed Bazal in the early 90s. During his time as the Chair of Endemol UK and Creative Director of the Endemol Group, the value of the firm trebled to €3.2 billion.

Big Brother Studio. Photo: The Metro