When Julian Fellowes started work on Gosford Park he had hardly expected it to be made into a film, let alone win the Best Original Screenplay category at the 2002 Oscars. On the face of it, that was an extremely improbable outcome, Gosford was Julian’s first screenplay that had been made into a film and it was competing against both Amélie and Memento. As he said in his acceptance speech: “I feel as if I am in A Star is Born and any moment now Norman Maine is going to come out and whack me in the mouth.”
The Oscar win was the reward for a lifetime of hard work and the pursuit of success in the entertainment industry that had started when Julian was a student. The theatre scene at Cambridge allowed him to explore both his interest in acting and his interest in the British class system. Away from the idyllic life he had enjoyed as a child, university introduced Julian to the full spectrum of human society, stimulating a fascination with class that has inspired many of his scripts.
Today Nick’s feature films have multi-million pound budgets backed by some of the biggest names in Hollywood but his first characters were made of a product called Fuzzy Felt and inhabited a world based in his parents’ backgarden. He began making films aged 13, mostly short sketches involving comedy duos such as Walter the Rat and a friendly worm, or Murphy and Bongo, a caveman and a dinosaur. Many filmmakers have had their first experiments in film at a young age but with Nick’s work there is a noticeable continuity between some of the thinking behind the films he made in his teens and what became Wallace & Gromit. His father was the first to note the trademark humour in his short films and encouraged him to go to film school. A real lightbulb moment happened at a film festival where Nick had the idea of combining the kind of humour found in Looney Tunes, Tom & Jerry and Disney cartoons with plasticine animation.