He has entertained American troops during WWII, prime time television audiences in the 1980s and students at Glastonbury. During a career that has spanned more than 70 years, successive generations have grown up with Sir Bruce at the heart of British television. The length of Sir Bruce’s career is well documented, less well-known is the story behind his rise to prominence in the 1940s and 50s.
Sir Bruce had no contacts and very little in the way of funding when he started performing dance routines in theatres around the country. To practice his acts he would have to tear up his parent’s carpets so he could use their floorboards and the pay from his first professional act didn’t even cover his transport home. He played second fiddle to major stage acts for 16 years before he hit the “big time” at the London Palladium in 1958. By the mid-Sixties Sir Bruce was the best paid entertainer on British television.
During a refurbishment of her boyfriend’s home Chrissie found it was impossible to find white home-wares in national retailers that were both affordable and good quality. After extensive market research she found that white bed linen, table covers, towels and china, were generally either poor quality and cheap or luxury items that were too expensive for the majority of consumers.
Chrissie launched The White Company as a mail order business in 1993 with the aim of providing excellent quality white products at an affordable price. She left her job as a beauty journalist on Harpers & Queen and started to build the business from scratch.
“We want it go be a great experience the minute you walk through the door. To be inspiring and exciting, inviting and welcoming, yet calm and serene. Some of our customers actually tell us they love it so much they often pop in just to calm down if they are having a bad day! We want it to be somewhere you love to spend time in, a bit like home really and somewhere you know you can trust the quality, advice and service.”
When Julian Fellowes started work on Gosford Park he had hardly expected it to be made into a film, let alone win the Best Original Screenplay category at the 2002 Oscars. On the face of it, that was an extremely improbable outcome, Gosford was Julian’s first screenplay that had been made into a film and it was competing against both Amélie and Memento. As he said in his acceptance speech: “I feel as if I am in A Star is Born and any moment now Norman Maine is going to come out and whack me in the mouth.”
The Oscar win was the reward for a lifetime of hard work and the pursuit of success in the entertainment industry that had started when Julian was a student. The theatre scene at Cambridge allowed him to explore both his interest in acting and his interest in the British class system. Away from the idyllic life he had enjoyed as a child, university introduced Julian to the full spectrum of human society, stimulating a fascination with class that has inspired many of his scripts.
In February 1971, Iceland became Malcolm’s full-time occupation after his employer, Woolworths, discovered he and his business partner were operating a frozen food business “on the side”. Malcolm and another trainee from Woolworths had started a small business of their own in the previous year. In January 2009, Woolworths Group went into liquidation and two months later Malcolm’s frozen foods venture reported record sales of just over £2 billion. It’s an extraordinary journey for the former Woolies employee who started out sweeping the floor and weighing potatoes in the stock room. Today he is thought to be worth in the region of £215 million.
Today Nick’s feature films have multi-million pound budgets backed by some of the biggest names in Hollywood but his first characters were made of a product called Fuzzy Felt and inhabited a world based in his parents’ backgarden. He began making films aged 13, mostly short sketches involving comedy duos such as Walter the Rat and a friendly worm, or Murphy and Bongo, a caveman and a dinosaur. Many filmmakers have had their first experiments in film at a young age but with Nick’s work there is a noticeable continuity between some of the thinking behind the films he made in his teens and what became Wallace & Gromit. His father was the first to note the trademark humour in his short films and encouraged him to go to film school. A real lightbulb moment happened at a film festival where Nick had the idea of combining the kind of humour found in Looney Tunes, Tom & Jerry and Disney cartoons with plasticine animation.
On the night of 18th June 1970, when most eight-year-olds were fast asleep, the young Gerard Baker was wide awake watching the live results of that year’s general election in the UK. He was, in his own words, “a bit of an odd creature in that respect”, with an advanced interest in and understanding of history, politics and current affairs. Born and raised in Britain, a combination of intellectual curiosity and a drive to be the best at school meant that Gerry secured a position to study Politics, Philosophy and Economics at Oxford, where he developed his fascination with markets and finance. Thinking the best outlet for his interests would be banking, his first jobs after university were working as an economic analyst at the Bank of England and Lloyds.